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                  <text>From the Archives of the &lt;a href="http://www.casablancasteelorchestra.com/" target="_blank" rel="noreferrer noopener"&gt;Casablanca Steel Orchestra&lt;/a&gt;.</text>
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                <text>From the Archives of the Casablanca Steel Orchestra.&#13;
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                <text>Steelband pioneers receiving recognition for their role in the development of the Steelband from Bertie Fraser.&amp;nbsp; Fraser is a former president of Pan Trinbago - the steelband association of Trinidad and Tobago. Winston “Spree” Simon of the band &lt;em&gt;Tokyo &lt;/em&gt;also receives proceeds from Casablanca’s fundraising effort. Circa 1980s. &lt;br /&gt;__________________________________________________________&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;From Left to Right:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;Carleton "Zigilee" Constantine of &lt;em&gt;Casablanca&lt;/em&gt;; Rudolph "Fish-Eye" Ollivierre of &lt;em&gt;Trinidad All Stars&lt;/em&gt;; Oscar "Tooti" Pile of &lt;em&gt;Casablanca&lt;/em&gt;; Winston "Spree" Simon of the steelband &lt;em&gt;Tokyo&lt;/em&gt;.&lt;br /&gt;__________________________________________________________&lt;/p&gt;&#13;
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                  <text>From the Archives of the &lt;a href="http://www.casablancasteelorchestra.com/" target="_blank" rel="noreferrer noopener"&gt;Casablanca Steel Orchestra&lt;/a&gt;.</text>
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                <text>Casablanca masquerades as the French Freedom Fighters during Carnival (Trinidad, 1964)</text>
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              <text>Oscar Pile (1922-2008) was the founding captain of the &lt;a href="http://www.casablancasteelorchestra.com/" target="_blank" rel="noreferrer noopener"&gt;Casablanca Steel Orchestra&lt;/a&gt; and a pioneer in the steelband movement. This recording was made in 1998 during a conversation between &lt;a href="http://www.davidvtrotman.com/" target="_blank" rel="noreferrer noopener"&gt;Dr. David V. Trotman&lt;/a&gt; and Oscar Pile.</text>
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              <text>"Casablanca had – in the area of Casablanca – with the family concerns, there were the young people there going to college and high schools, and they were involved in [steel] pan playing.  And I being the [band] captain, have a direction or a directive to these young people.  When is [band] practice time and they has test, I don’t want to see them in the band.  They must stay home and do their work.  So the community respect me for such – as a leader and guider."</text>
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              <text>"Well what we are speaking about here - the era we speaking about here – the majority of the [steel] pan man from the early days was unemployed.  And they eager for this new invention.  [It] was something that everybody – the guys in the ghetto craved, and [as] fast as one invented something on the [steel] pan or played a new tune on the pan, he couldn’t wait for carnival or any festivities.  So, the guys now, unemployed as I said, have no sense of direction.  We just played music, and we happy, and that’s it."</text>
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              <text>Oscar Pile (1922-2008) was the founding captain of the &lt;a href="http://www.casablancasteelorchestra.com/" target="_blank" rel="noreferrer noopener"&gt;Casablanca Steel Orchestra&lt;/a&gt; and a pioneer in the steelband movement. This recording was made during a conversation between Professor David V. Trotman and Oscar Pile circa 2000.</text>
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              <text>&lt;p&gt;"The history of the steelband in its early days - you find that a man by the name of Manning [Eustace Henry] who used to live in St. James [Trinidad], he left here and he belongs to St. Lucia [or] Antigua [somewhere] around there.&lt;span&gt;&amp;nbsp; &lt;/span&gt;He left here with a pan and eventually when he went there - they knows nothing about steelpan - he opened a band.&lt;span&gt;&amp;nbsp; &lt;/span&gt;And you find Antiguans - by he doing this Manning … and Henry -&lt;span&gt;&amp;nbsp; &lt;/span&gt;they got two steelbands over there in the earlies [named] Hell’s Gate and Brute Force.&lt;/p&gt;&#13;
&lt;p&gt;I left Trinidad and went to Tobago and when I went there I opened the steelband there [called] Paramount in Delaford Tobago.&lt;span&gt;&amp;nbsp; &lt;/span&gt;I met a guy who from Trinidad - left Trinidad - and was living up there by the name of Cecil Baptiste - I believe he is dead now.&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Whilst I was in Tobago, I met Viking the calypsonian.&lt;span&gt;&amp;nbsp; &lt;/span&gt;He helped the band they call «&amp;nbsp;Our Boys&amp;nbsp;» today.&lt;/p&gt;&#13;
&lt;p&gt;Also Rannie [Randolph] Babb - yes, [the] retired police officer - he was in Tobago and he also assist[ed] another band and open[ed] another band who knows nothing about [steel]pan - and so steelpan start in Tobago.&lt;/p&gt;&#13;
&lt;p&gt;Our tuner Randolph Simmons «&amp;nbsp;Croppy&amp;nbsp;» was such a favourite that sometimes you [would] have to look for him.&lt;span&gt;&amp;nbsp; &lt;/span&gt;And when we get up in these places like Tunapuna [or] Arima, we find him up in some hole tuning pan for some guys - so he spread the gospel too.&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Due to the various steelband clashes and thing and forming the steelband organization as such mehself, myself, Sidney Gallup, Natty [Nathaniel] Crichlow, and [the] same Lennox Oscar Pierre.&lt;span&gt;&amp;nbsp; &lt;/span&gt;We had to go all part of the country with Carlisle Kerr - that time we used to travel by train - and by going to these various places you would hear a pan knocking in a yard.&lt;span&gt;&amp;nbsp; &lt;/span&gt;And when we go in that yard, you will see one fellar playing a pan. We encourage him and they would get a group and form a steelband. So this is how it spread."&lt;/p&gt;</text>
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                <text>&lt;a href="http://www.audradiptee.com/" target="_blank" rel="noreferrer noopener"&gt;Dr. Audra A. Diptee&lt;/a&gt;</text>
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